Point Books During Deception

Original Title: Deception
ISBN: 0099801906 (ISBN13: 9780099801900)
Edition Language: English
Books Free Deception Download
Deception Mass Market Paperback | Pages: 208 pages
Rating: 3.33 | 2138 Users | 217 Reviews

Chronicle In Favor Of Books Deception

"With the lover everyday life recedes," Roth writes - and exhibiting all his skill as a brilliant observer of human passion, he presents in Deception the tightly enclosed world of adulterous intimacy with a directness that has no equal in American fiction.

At the center of Deception are two adulterers in their hiding place. He is a middle-aged American writer named Philip, living in London, and she is an articulate, intelligent, well-educated Englishwoman compromised by a humiliating marriage to which, in her 30s, she is already nervously half-resigned.

The book's action consists of conversation - mainly the lovers talking to each other before and after making love. That dialogue - sharp, rich, playful, inquiring, "moving", as Hermione Lee writes, "on a scale of pain from furious bafflement to stoic gaiety" - is nearly all there is to this audiobook, and all there needs to be.

Define Appertaining To Books Deception

Title:Deception
Author:Philip Roth
Book Format:Mass Market Paperback
Book Edition:Deluxe Edition
Pages:Pages: 208 pages
Published:January 17th 2006 by Vintage (first published 1993)
Categories:Fiction. Literature. American. Novels. Literary Fiction

Rating Appertaining To Books Deception
Ratings: 3.33 From 2138 Users | 217 Reviews

Critique Appertaining To Books Deception
A writer, his writing room, a woman who's not his wife, a bed. Dialogs, words, intimacy. Dalliances between two people who haven't made each other eternal promises and yet so binded that you can't tell what is love, fascination, attraction or just habits. And then lies. A writer is who builds worlds he can live in, without truly upset the quiet of his real life. A good wife who stays at home and waits for you while you're working. A charming, smart and attractive lover to make you feel alive. A

"I also exist."'Also. You also exist and I also made you up. "Also" is a good word to remember. You also don't exist as only you.''I certainly don't anymore.''You never did. As I made you up, you never existed.'(Page 200)

Im often bored by dialogue based novels. This is one of those times. I liked some of the questions between the two initially but things became so blah blah blah so quickly. Started sexual then turned political. I enjoy Philip Roth work, just not his chatting with his racist mistress. The dialogue was mostly boring because both were, more or less, on the same page.

"How could you be humiliated by something that isn't so? It is not myself. It is far from myself--it is a play, it's a game, it is an impersonation of myself! Me ventriloquizing myself. Or maybe it's more easily grasped the other way around--everything here is falsified except me. Maybe it's both. But both ways or either way, what it adds up to, honey, is homo ludens!"- Philip Roth, DeceptionRoth is experimenting with dialogue. Think of this book as the pre- and post- coital conversations

Quite likely my favorite Roth novel up to this stage in my project of reading through all of his fictions. This one is short and consists of a series of dialogues. On the phone, in bed, in an office, whether between an English woman and a "character" named "Philip Roth" or between this authorial stand-in and a variety of Czech and Polish women he interviews, the dialogs touch on the previous novel The Counterlife as well as Roth's other works, this book blurs Zuckerman and "Zuckerman" as well

Unlike Roth's other books I've read, I was not strongly drawn into these characters. The style of the book, written almost exclusively in dialogue without attribution of the speaker, is creative and engaging, but I found it more difficult to connect with for this same reason. Roth is brilliantly insightful on love, relationships, infidelity, jealously, and so on, but the overall impact of the book for me was more abstract than personal due to the distance I felt from the characters. This may

The last 29 pages of Philip Roth's Deception moved it from 2 stars to three and a half for me. What started out, and rolled along quite nicely, deceptively, for 178 pages, as a series of intelligent, postcoital dialogues between a Jewish author and his lover (with a couple voices thrown in from past love affairs), suddenly turned into a revelation of the most unsettling betrayal every scribe of love's barbaric candor eventually succumbs to. The novel must expose the love affair. Or, in Roth's